Timeline of Select Projects | Index of Projects

The Media Center accompanied a Getty-funded research project to Sardinia, Italy in coordination with Prof. Michael Cole's Spanish Italy & the Iberian Americas project. In addition to documenting sites of 15th-18th century Spanish influence, Media Center staff also visited the ancient city of Tharros, and documented objects related to the archeological site of Mont’e Prama. Photographic documentation was also conducted on sites related to August Sander’s 1927 trip to Sardinia, such as Porto Torres and Aritzo.

The Art History Teaching Collection, compiled by the Media Center for Art History from scans of slides and photographs, is accessible to anyone on Columbia's campus or with a Columbia University UNI.

Scans of thirteen of Goya's Disasters of War prints with captions, organized as a slideshow

Before Artstor, Luna hosted the Art History Teaching Collection images.

The Media Center Image Database (MCID) hosts the Department of Art History's teaching collections, special collections, and original photography of globally significant art and architecture. Fieldwork highlights include Istanbul, Iraq, Rome, Chicago, The American Southwest, and Japan.

With over 110,000 new individual images added to MCID in the last couple years from digitization projects alone, MCID's reliance on collections as a primary organizational focus hinders findability of these important new resources. The Media Center has initiated an MCID restructuring project, designed to build connections across collections and increase findability of media of all types. This project is still in process and will be announced formally when available.

Before MCID, Mnemosyne was the Media Center's database for hosting all its image resources.

Designed as an online resource for the three-part exhibition Robert Moses and the Modern City, this website includes an interactive map of the works of Robert Moses in New York City, an extensive collection of photographs, and text on each exhibition.

The Media Center has crafted a highly detailed, born-digital 3D model of the Villa Savoye which serves as a platform for several modes of exploration. The building can be viewed as an illustration of Le Corbusier’s Five Points of Architecture with animations to demonstrate each element in context, making the digital tool an expression of those principles. Predefined itineraries move the viewer through the rooms of the Villa to replicate the flow of space experienced in-person. Additionally, the Villa can be rendered at various periods in its history to examine the differing paint colors over the span of its use and restorations.