Timeline of Select Projects | Index of Projects

Title Year(s) Field Description
A Collection in Context: The Hispanic Society of America 2012 - 2013 Museology, North America

Concerned as much with the museum as an institution as with the objects contained within it, this digital monograph is constructed around a virtual tour of the Hispanic Society galleries, recreating the museumgoer experience carefully orchestrated by the Society's founder, Archer Milton Huntington.

Art and Architecture of Sardinia 2023 - 2023 Architecture, Painting, Archaeology, Photography

The Media Center accompanied a Getty-funded research project to Sardinia, Italy in coordination with Prof. Michael Cole's Spanish Italy & the Iberian Americas project. In addition to documenting sites of 15th-18th century Spanish influence, Media Center staff also visited the ancient city of Tharros, and documented objects related to the archeological site of Mont’e Prama. Photographic documentation was also conducted on sites related to August Sander’s 1927 trip to Sardinia, such as Porto Torres and Aritzo.

Robert Moses and the Modern City 2006 - 2007 Urban Planning, Architecture, North America

Designed as an online resource for the three-part exhibition Robert Moses and the Modern City, this website includes an interactive map of the works of Robert Moses in New York City, an extensive collection of photographs, and text on each exhibition.

Roman and Early Christian Germany: CAM Graduate Tour 2018 - 2018 Ancient Roman, Europe

The Media Center was able to join the Center for the Ancient Mediterranean Annual Graduate Tour and document sites of Roman and Early Christian Germany lead by Prof. Holger A. Klein and Prof. Francesco de Angelis.

Villa Savoye 3D Didactic Tool 2024 - 2024 Architecture, Europe

The Media Center has crafted a highly detailed, born-digital 3D model of the Villa Savoye which serves as a platform for several modes of exploration. The building can be viewed as an illustration of Le Corbusier’s Five Points of Architecture with animations to demonstrate each element in context, making the digital tool an expression of those principles. Predefined itineraries move the viewer through the rooms of the Villa to replicate the flow of space experienced in-person. Additionally, the Villa can be rendered at various periods in its history to examine the differing paint colors over the span of its use and restorations.