Timeline of Select Projects | Index of Projects

Concerned as much with the museum as an institution as with the objects contained within it, this digital monograph is constructed around a virtual tour of the Hispanic Society galleries, recreating the museumgoer experience carefully orchestrated by the Society's founder, Archer Milton Huntington.

The Media Center accompanied a Getty-funded research project to Sardinia, Italy in coordination with Prof. Michael Cole's Spanish Italy & the Iberian Americas project. In addition to documenting sites of 15th-18th century Spanish influence, Media Center staff also visited the ancient city of Tharros, and documented objects related to the archeological site of Mont’e Prama. Photographic documentation was also conducted on sites related to August Sander’s 1927 trip to Sardinia, such as Porto Torres and Aritzo.

Scans of thirteen of Goya's Disasters of War prints with captions, organized as a slideshow

A two-year Digital Art History grant from the Samuel H. Kress Foundation enabled the digitization and online dissemination of the Columbia University Department of Art History and Archaeology's Lantern Slide Collection.

An unfinished website on the growth of Naples from the Classical Era to the Renaissance, with historical maps and paintings and a brief history of the city.

Designed as an online resource for the three-part exhibition Robert Moses and the Modern City, this website includes an interactive map of the works of Robert Moses in New York City, an extensive collection of photographs, and text on each exhibition.

A two-year Digital Art History grant from the Samuel H. Kress Foundation enabled the digitization and online dissemination of the Columbia University Department of Art History and Archaeology's Photograph Collection.

The Media Center has crafted a highly detailed, born-digital 3D model of the Villa Savoye which serves as a platform for several modes of exploration. The building can be viewed as an illustration of Le Corbusier’s Five Points of Architecture with animations to demonstrate each element in context, making the digital tool an expression of those principles. Predefined itineraries move the viewer through the rooms of the Villa to replicate the flow of space experienced in-person. Additionally, the Villa can be rendered at various periods in its history to examine the differing paint colors over the span of its use and restorations.