Timeline of Select Projects | Index of Projects

The Media Center accompanied a Getty-funded research project to Sardinia, Italy in coordination with Prof. Michael Cole's Spanish Italy & the Iberian Americas project. In addition to documenting sites of 15th-18th century Spanish influence, Media Center staff also visited the ancient city of Tharros, and documented objects related to the archeological site of Mont’e Prama. Photographic documentation was also conducted on sites related to August Sander’s 1927 trip to Sardinia, such as Porto Torres and Aritzo.

The Art History Teaching Collection, compiled by the Media Center for Art History from scans of slides and photographs, is accessible to anyone on Columbia's campus or with a Columbia University UNI.

Delight in Design was created as an online resource for an exhibition of South Asian silver at the Wallach Gallery in 2008, curated by Vidya Dehejia, Barbara Stoler Miller Professor of Indian and South Asian Art.

Scans of thirteen of Goya's Disasters of War prints with captions, organized as a slideshow

A two-year Digital Art History grant from the Samuel H. Kress Foundation enabled the digitization and online dissemination of the Columbia University Department of Art History and Archaeology's Lantern Slide Collection.

Before Artstor, Luna hosted the Art History Teaching Collection images.

Under the guidance of Frédérique Baumgartner, the Media Center works with student curators in the MA in Art History program to develop content and build an exhibition website.

An unfinished website on the growth of Naples from the Classical Era to the Renaissance, with historical maps and paintings and a brief history of the city.

The Media Center Image Database (MCID) hosts the Department of Art History's teaching collections, special collections, and original photography of globally significant art and architecture. Fieldwork highlights include Istanbul, Iraq, Rome, Chicago, The American Southwest, and Japan.

With over 110,000 new individual images added to MCID in the last couple years from digitization projects alone, MCID's reliance on collections as a primary organizational focus hinders findability of these important new resources. The Media Center has initiated an MCID restructuring project, designed to build connections across collections and increase findability of media of all types. This project is still in process and will be announced formally when available.

Before MCID, Mnemosyne was the Media Center's database for hosting all its image resources.

Designed as an online resource for the three-part exhibition Robert Moses and the Modern City, this website includes an interactive map of the works of Robert Moses in New York City, an extensive collection of photographs, and text on each exhibition.

In coordination with Prof. Lisa Trever and alumna Dr. Amanda Gannaway, the Media Center created an online interface for the archive encompassing more than 5800 images from Dr. Mackey's slide collection of ceramic vessels and other objects from the north coast of Peru.

A two-year Digital Art History grant from the Samuel H. Kress Foundation enabled the digitization and online dissemination of the Columbia University Department of Art History and Archaeology's Photograph Collection.

The Media Center produced the digital monograph for the 2010-11 exhibition Treasures of Heaven: Saints, Relics, and Devotion in Medieval Europe, co-organized by the Cleveland Museum of Art, the Walters Art Museum, and the British Museum.

The Media Center has crafted a highly detailed, born-digital 3D model of the Villa Savoye which serves as a platform for several modes of exploration. The building can be viewed as an illustration of Le Corbusier’s Five Points of Architecture with animations to demonstrate each element in context, making the digital tool an expression of those principles. Predefined itineraries move the viewer through the rooms of the Villa to replicate the flow of space experienced in-person. Additionally, the Villa can be rendered at various periods in its history to examine the differing paint colors over the span of its use and restorations.